In future Britain, Alex DeLarge, a charismatic and psycopath delinquent, who likes to practice crimes and ultra-violence with his gang, is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, while attempting to save a preadolescent prostitute in the process.
Robert De Niro,
"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be. Written by
Originally intended as a road-show release, with Overture, Intermission, and Exit music (all with curtain warmers) and a 35-millimetre black-and-white prologue of interview with experts on the possibilities of off-Earth biology. Despite the fact that the Overture, Intermission, and Exit Music were not used, the film still went out as a road-show release, and still had an intermission. When Stanley Kubrick learned this, he not only ordered where the intermission took place, but had his film's composer record specific music for the intermission, and requested that the theatre be plunged into darkness for a minute before the film restarted. See more »
The quadrupeds shown coexisting peacefully with the apes in the early scenes are tapirs, Tapirus bairdii. They live in tropical forests in Central America and northwest South America. You'd never see them in Africa (outside of a zoo), nor in the very dry habitat shown in the film. But tapirs that are accustomed to humans can be quite docile (though obstinate), and they look exotic to most viewers, so they were a reasonable choice for the film. See more »
The original theatrical release had Ligeti's Atmospheres to a black screen for roughly 8 to 10 minutes before the movie began, and Strauss' The Blue Danube well after the end credits to a black screen. See more »
A whimsical, often spectacular view of a future in which advances in technology dominate the world. It is well shot and although slow-moving it is intense and enjoyable throughout. The featuring of classical music to establish atmosphere works brilliantly; it provides a feeling of awe, mystery and intrigue the same aura that Walt Disney worked in creating 'Fantasia'. The special effects, both sound and visual, are still spellbinding by the standards of today's technology. Aside from the technical pluses of the film, it stands strong as it is one of not many films out there that has something important to say about humankind, and where the human race is heading in terms of our increasing reliance on machines and our unquenchable thirst to discover. Despite an ending that is hard to understand, it is even harder to overlook this film a true cinema classic.
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