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Il cinico, l'infame, il violento (1977)

Luigi Maietto (Chinaman) escapes from prison he then orders two henchman to murder the inspector whose testimonal led to his being jailed. Inspector Tanzi is left for dead but lives. The ... See full summary »

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Cast

Cast overview, first billed only:
...
...
Frank Di Maggio
...
Luigi 'Chinaman' Maietto
Renzo Palmer ...
Commissioner Astalli
Gabriella Lepori ...
Nadia
...
Dario (as Robert Hundar)
Bruno Corazzari ...
Ettore
Marco Guglielmi ...
Marchetti
Gabriella Giorgelli ...
Maria Balzano
Guido Alberti ...
Tanzi's Uncle
Aldo Massasso ...
Magistrate
...
Blonde Hooker at Fazi's
Gianni Musy ...
Nicola Proietti
Gianfilippo Carcano ...
The Professor
Dante Cleri ...
Di Maggio's Aide
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Storyline

Luigi Maietto (Chinaman) escapes from prison he then orders two henchman to murder the inspector whose testimonal led to his being jailed. Inspector Tanzi is left for dead but lives. The local newspapers cover up for him and pretend the assassination had worked. When Tanzi's able to his superior wants him to hide in Switzerland. But Tanzi defies him and intends to make sure that Maietto is put back in prison. Written by wxjuh

Plot Summary | Add Synopsis

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Action | Crime | Thriller

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Release Date:

3 February 1977 (Italy)  »

Also Known As:

The Cynic, the Rat & the Fist  »

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2.35 : 1
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Referenced in Video Nasties: Moral Panic, Censorship & Videotape (2010) See more »

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User Reviews

 
a typical, yet excessively fun Italian police movie
2 December 2001 | by (Los Angeles, CA) – See all my reviews

This is probably the best example of a 70's Italian crime movie, though not the "best" movie of the genre (does that make sense?). It has, besides Saxon, an entirely Italian cast but most of them are pretty recognizable regulars in very amusing roles. Maurizio Merli is best as the role he was born to play, that of yet another ticked off Police commissioner. His very charismatic, yet level-headed performance is the one thing that keeps this movie moving along so well, and it is notable that of Lenzi's crime movies, this is probably the one that entrusts Merli with the most screentime (besides FROM CORLEONE TO BROOKLYN - though that is not so much a crime movie).

It's a pretty sloppily-shot, and haphazardly edited film (probably because most of Lenzi's films from this time were made with little money and over the span of 2-3 weeks), but has some very memorable shots (Merli charging across the foot-bridge, Merli pulling a bandage off of his newly healed arm, etc.) and a killer soundtrack by Franco Micalizzi (probably his best one). What's not to like about poorly-dubbed Italians smacking each other, breaking chairs over each-other's heads, shooting people in hospital beds, and stealing women's cars? The only weaknesses in this film are the fact that the heist sequence is far too long and drawn out, and the ending shootout is too quick and confusing (centering only on Milian vs. Merli when there is a whole gang war going on). Otherwise, a solid and action-packed film. It should also be noted that this probably has the most swearing of any 70's Italian movie, at least in the English version, making it the polar opposite of THE BIG RACKET.


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