Western Australia, 1931. Government policy includes taking half-caste children from their Aboriginal mothers and sending them a thousand miles away to what amounts to indentured servitude, "to save them from themselves." Molly, Daisy, and Grace (two sisters and a cousin who are 14, 10, and 8) arrive at their Gulag and promptly escape, under Molly's lead. For days they walk north, following a fence that keeps rabbits from settlements, eluding a native tracker and the regional constabulary. Their pursuers take orders from the government's "chief protector of Aborigines," A.O. Neville, blinded by Anglo-Christian certainty, evolutionary world view and conventional wisdom. Can the girls survive? Written by
When Moodoo is first seen riding north along the Rabbit-Proof Fence to meet a police constable he's on the west of the fence. Shortly before the actual meeting he's on the east side of the fence. See more »
Western Australia 1931
For 100 years the Aboriginal Peoples have resisted the invasion of their lands by white settlers.
Now, a special law, the Aborigines Act, controls their lives in every detail.
Mr. A. O. Neville, the Chief Protector of Aborigines, is the legal guardian of every Aborigine in the State of Western Australia.
He has the power "to remove any half-caste child" from their family, from anywhere within the state.
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The painting songs sung by the Walpiri, Amatjere and Wangajunka women were not sacred songs, but were songs able to be performed in public. See more »
All Things Bright and Beautiful
Music by William H. Monk
Lyrics by Cecil F. Alexander, from "Hymns for Little Children" (1838)
Sung offscreen in church at the Moore River Settlement See more »
Few films have garnered so much applause (from critics and public alike) with so little. The plot of "Rabbit Proof Fence" can be found elsewhere on this website. Suffice it to say it's about three girls walking and walking and walking and walking and....across some of the most visually austere country on the planet; the Aussie outback. There's little story behind the film, zilch for Hollywood tinsel, and a minimal cast of relative unknowns (except for Branagh's small role). It would be easy to make the case that this film is one long boring flick. However, it would also be easy to make the case it is a beautifully filmed story of courage, determination, and the triumph of the human spirit. I would argue the latter. (B+)
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