From the IMDboat, Kevin Smith discusses the San Diego Comic-Con trends with Iwan Rheon ("Inhumans"), IMDb Social Media Editor Tori Wadzita, and IMDb Entertainment Editor Arno Kazarian. Browse our Guide to Comic-Con for more.
In 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.
Jackie Earle Haley,
Four tales of crime adapted from Frank Miller's popular comics, focusing around a muscular brute who's looking for the person responsible for the death of his beloved Goldie, a man fed up with Sin City's corrupt law enforcement who takes the law into his own hands after a horrible mistake, a cop who risks his life to protect a girl from a deformed pedophile, and a hitman looking to make a little cash. Written by
Jessica Alba did not know how racy the images of her character Nancy were in the comic until after she signed on for the film. The script originally had several nude scenes for the character, but Alba refused to do any nudity. Robert Rodriguez and Frank Miller didn't think it was important for there to be nudity, so they didn't care. See more »
When Hartigan sits in prison, he says he "refused to plead innocent." This is not correct terminology. An accused person can generally plead "guilty" or "not guilty." There are other possible pleas, but this is irrelevant and none of them are "innocent" for various reasons.
It cannot be a character error because Hartigan is a highly experience policeman with personal interactions surrounding his own court case to boot. See more »
She shivers in the wind like the last leaf on a dying tree. I let her hear my footsteps. She only goes stiff for a moment.
See more »
In the opening credits, each of the actor's names is shown with a frame from the comic, featuring their character. See more »
I must admit that I know, or knew rather, very little about the story or history of Frank Miller and his series of comic book novels - and maybe that is why I enjoyed this movie so much. Although, this is still a different type of situation where one who was a big fan of the stories might be seriously critical of every little detail of the comic book turned movie. I don't believe anyone who considers themselves truly knowledgeable about Miller's work can say that this was not represented well on the big screen. I'm now intrigued to go back and check out some of his work.
That aside, as far as it being a movie and a work of art, I would give this movie high marks in both categories. For it being a movie, it was nice to see something so different as far as the approach to making it go. Also, having such an incredible cast makes it all the more intriguing. I don't see anyone else having portrayed any of these characters any better than the cast that was hired to do so.
On an artistic level, it is extremely hard to think of any other movie that comes close to being in the same league. I did not see Sky Captain, but I would say that anyone who liked Pleasantville for its cinematography and graphic elements, would love Sin City. The use of black and white photography with only specific colors added later make for a far more dramatic effect. And so much of the cinematography being so close to a "moving picture" version of comic book art simply makes this movie worth seeing.
Take the artistic elements of this movie, and put it together with the amazing cast (both looks and talent) and throw it together with a very different but coherent plot, and you've got yourself an extremely enjoyable movie that is definitely worth seeing. And seeing at the theater no less!
My hats off to Robert Rodriguez, Frank Miller, and the rest of the cast and crew for putting together something different for a change.
My only complaint about the whole movie - the use of labeling Quentin Tarantino as a "Special Guest Director" is almost too lame to deal with.
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