After stretching the truth on a deal with a spiritual guru, literary agent Jack McCall finds a Bodhi tree on his property. Its appearance holds a valuable lesson on the consequences of every word he speaks.
Josh Kovaks is the manager of a high-rise condominium in New York. He is close to all the tenants, especially financier Arthur Shaw. One day Shaw is arrested by the FBI for fraud. Josh thinks it's a misunderstanding that can be resolved, but later he learns that the employees' pension fund - which he asked Shaw to handle - is gone. When one of the employees tries to kill himself, Josh's views of Shaw change. He goes to see him and loses his temper, and his job. The FBI agent in charge tells him that Shaw might walk, and recovering the pension fund is unlikely. She tells him that it's been rumored that Shaw has $20 million lying around if he needs it in a hurry. Josh thinks he knows where it is, so with two other fired employees and an evicted tenant, they set out to get into Shaw's penthouse to get the money. But they realize they need the assistance of someone who knows how to steal, so Josh asks an old acquaintance named Slide who he knows is a thief to help them. Written by
When Josh is trying to get Slide to remember their daycare days in 1971, he tells him that they watched "Inch High, Private Eye" together, but that series wasn't broadcast until 1973. See more »
To get in the building, we have to avoid seven exterior cameras and six doormen who work at two entrance points in rotating shifts. Once inside, we'll be faced with four security officers who monitor a bank of twelve internal cameras, as well as two security guards who vary the patrol route each day. If we make it through all that, we still have to get through this gauntlet of employees to get to the elevators. Questions?
Yeah! Who that girl in the red dress? She got the kind of titties I like ...
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Not as dull as its title suggests, but still somewhat flat caper flick. It has a consistent string of laughs, but never quite hits the heights. Brockerick's down-and-out businessman is a good start but lands few jokes, and the plotting seems to meander. Stiller is a highlight, and Affleck and Murphy are good solid, but Aldo is a standout.
With that much star power, you'd think the comedy would make itself, but the actors feel confined. Weirdly, I think the movie could have been better if it had foregone the heist and explored the Stiller character and his buttoned-down-but-flexible managerial style. More tower. Less heist.
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