From aboard the IMDboat at San Diego Comic-Con, Kevin Smith talks to the cast of "Teen Wolf" about the solemn yet celebratory panel for the upcoming season. This news and more in our Guide to Comic-Con.
Get entertainment news, trailer drops, and photos with IMDb's coverage of 2017 San Diego Comic-Con featuring host and IMDboat captain Kevin Smith. Watch our exclusive celebrity interviews, and tune in to our LIVE show from 3:30 to 5 p.m. PDT on Saturday, July 22.
Forty-year-old Andreas arrives in a strange city with no memory of how he got there. He is presented with a job, an apartment - even a wife. But before long, Andreas notices that something is wrong. Andreas makes an attempt to escape the city, but he discovers there's no way out. Andreas meets Hugo, who has found a crack in a wall in his cellar. Beautiful music streams out from the crack. Maybe it leads to "the other side"? A new plan for escape is hatched. Written by
Imagine a world, in which everyone treats anyone nicely, no foul word is ever uttered, office bickering is nonexistent, and your boss invites the office crowd regularly to self-cooked dinners where you can chat about latest interior design styles. Everything is neat, pleasant - well, just nice. In other words: you are in hell. After being dropped off in the middle of nowhere, mid-thirties Andreas (Trond Fausa Aurvaag) starts a new job as a book-keeper in a small, clean city. From the beginning he feels foreign in this proper, impersonal world of superficial kindness, surrounded by pleasant but lifeless interior architecture and likewise colleagues. Food tastes of nothing, drinks don't get you drunk, no children anywhere; after initial steps of fitting in, Andreas searches for ways to escape the bland new world. He doesn't know where he came from anymore, but still remembers rich tastes, true feelings - anything beyond the non-committal flatline life he's leading now. THE BOTHERSOME MAN resonates ideas of Huxley and Kafka, but here the cruelty is the omnipresent noncommittal neatness. Unlike PLEASANTVILLE this is not about narrow-minded bigotry, more a fable of our urban free-world civilisation of fitting in. It mostly reminds one of the ingenious FIGHT CLUB scene, in which Edward Norton walks through a mock-IKEA catalogue. Spiced with macabre humour, this Scandinavian laconic tale convinces on every level: story, characters, and relevance. A true screen gem. 8/10
88 of 99 people found this review helpful.
Was this review helpful to you?