1968 was the year that changed the world. And for four young Aboriginal sisters from a remote mission this is the year that would change their lives forever. Around the globe, there was protest and revolution in the streets. Indigenous Australians finally secured the right to vote. There were drugs and the shock of a brutal assassination. And there was Vietnam. The sisters, Cynthia, Gail, Julie and Kay are discovered by Dave, a talent scout with a kind heart, very little rhythm but a great knowledge of soul music. Billed as Australia's answer to 'The Supremes', Dave secures the sisters their first true gig, and flies them to Vietnam to sing for the American troops. Based on a true story, THE SAPPHIRES is a triumphant celebration of youthful emotion, family and music. Written by
The movie's co-writer and associate producer Tony Briggs is the son of Laurel Robinson, a member of the real-life The Sapphires group. See more »
Throughout the movie the girls are seen performing on Shure SM58 Microphones which were released in 1966. This is chronologically correct as the movie is set in 1968. However when they are performing to the 19th Infantry Division in Nha Trang, the microphones being used are Shure Beta 58 Mic's which weren't released until 1989. See more »
Country and western music is about loss. Soul music is also about loss. But the difference is in country and western music they've lost, they've given up, they're just at home whining about it. In soul music they're struggling to get it back and they haven't given up. Every note that passes through your lips should have the tone of a woman who's grasping and fighting and desperate to retrieve what's been taken from her.
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I've just seen a screening of The Sapphires and have to say that it's one of the best mainstream films I've seen in a long time. It was exhilarating: making me cry, laugh and want to dance. Over the years, there have been some amazing films of and about Aboriginal Australia. One of the very best being Warwick Thornton's heart breaking Sampson And Delilah. Some people will belittle The Sapphires for not being similarly heavy but this film is not that film. This film, with it's Aboriginal writer and director (and cast, cinematographer (the wonderfully talented Warwick Thornton) and choreographer) is another film. It is a celebration of spiritedness and strength, lovingly made and deftly told. It left me with vivid impressions of the lives of the characters and of Australia at that time. Tremendous chemistry between Chris O'Dowd and Deborah Mailman and the rest of the cast drew me in and up, as did the spine tinglingly good soul singing from Jessica Mauboy. Newcomers Shari Sebbens and Miranda Tapsell were great too. I can't believe that this was Wayne Blair's first feature. Good on you Goalpost for bringing an important script to (hopefully) a wide audience and doing it with such flair.
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