From the IMDboat, Kevin Smith discusses the San Diego Comic-Con trends with Iwan Rheon ("Inhumans"), IMDb Social Media Editor Tori Wadzita, and IMDb Entertainment Editor Arno Kazarian. Browse our Guide to Comic-Con for more.
Two proper L.A. dreamers, a suavely charming soft-spoken jazz pianist and a brilliant vivacious playwright, while waiting for their big break, attempt to reconcile aspirations and relationship in a magical old-school romance.
A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia. 25 years later, he sets out to find his lost family.
Following the assassination of President John F. Kennedy, First Lady Jacqueline Kennedy fights through grief and trauma to regain her faith, console her children, and define her husband's historic legacy.
WWII American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people, and becomes the first man in American history to receive the Medal of Honor without firing a shot.
Retreating from life after a tragedy, a man questions the universe by writing to Love, Time and Death. Receiving unexpected answers, he begins to see how these things interlock and how even loss can reveal moments of meaning and beauty.
As the United States raced against Russia to put a man in space, NASA found untapped talent in a group of African-American female mathematicians that served as the brains behind one of the greatest operations in U.S. history. Based on the unbelievably true life stories of three of these women, known as "human computers", we follow these women as they quickly rose the ranks of NASA alongside many of history's greatest minds specifically tasked with calculating the momentous launch of astronaut John Glenn into orbit, and guaranteeing his safe return. Dorothy Vaughan, Mary Jackson, and Katherine Johnson crossed all gender, race, and professional lines while their brilliance and desire to dream big, beyond anything ever accomplished before by the human race, firmly cemented them in U.S. history as true American heroes. Written by
20th Century Fox
Colors were key to setting the mood of the film. "Cold" sets at NASA - where calculations took place - were filmed in sterile whites, grays, and silvers, in sharp contrast to the "warm" sets of Al Harrison's office and the ladies' homes. See more »
In Virginia, cars have always had both front and rear license plates. In the movie, the ladies' car had only a rear Virginia plate. See more »
It made for an old-fashioned movie going experience...
This is the true story of three African-American women who worked for NASA on the Mercury program in the early 1960s. Solid performances by all, some laugh-out-loud scenes, and some very emotional moments. It's also an important look back at the civil rights issues of the time period. The climax is a bit Apollo 13ish, and I'm fairly certain some scenes were embellished, but who cares. You should walk away from this film smiling, maybe even a bit choked up.
And in spite of it being an overall positive experience, I could feel the oppression at certain points - Spencer's character at the library just trying to find the right book, one which is not in the colored section. Monae's character being reminded that the colored seats are in the back of the court room. And later "noticing" that there are no colored seats in her class. Katherine running across campus just to find a bathroom that she is allowed to use and never once complaining about it until she is publicly berated about her use of time. Kevin Costner appearing to be a generally good person who doesn't care about race, and yet still never even thought about the difficulty of being forced into a certain bathroom half a mile away.
You don't need to understand the mathematics to enjoy the film, but I admit, it was fun to hear some concepts I haven't heard since my college days.
The theater was almost full, with people of all ages. I was particularly happy to see some kids there, as there is much for them to take away from this film.
Twice during the movie the audience broke into applause, and then applauded at the end credits as well. I don't recall the last time I heard that at a film. And most importantly - I did not see a cell phone light up the whole time - truly a miracle.
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